My approach to sound design is rooted in two main practices: manipulating field recordings and self recorded sounds to create realistic sonic environments, and composing music, cinematic textures and story-driven soundscapes.
By working with techniques such as sampling, synthesis, time-stretching and the layering of diverse sonic textures, I aim to create sound worlds that feel both organic and emotionally grounded.
Sound design has always been an intrinsic part of how I create and compose music. Experimentation in the field of sound manipulation has consistently led me to fascinating places and helped me develop a focused, intentional way of listening.
Software: Pro tools & Ableton live.
SOUND DESIGN PROJECTS
THE DOCUMENTARY OF THE FOURTH
SHORT FILM BY NICOLAS PHALEN
SOUND DESIGN BY BEA ALVAREZ
SOUND REDESIGN DEMOS
(work in progress)
OTHER SONIC EXAMPLES